INTRODUCTION TO "ON THE EDGE"
For a Superman, Mike Peters seems at times to be riddled with
insecurity.
It's not unusual for him to submit a cartoon to his editors and
then sit chewing his nails. Is it any good? Will it work? Do you
like it?
After winning virtually every major honor in his business-the
Pulitzer, the Reuben for the world's best cartoonist, the National
Headliner award, the Society of Professional Journalists Distinguished
Service Award, the Robert F. Kennedy Citation, the Overseas Press
Club award for best cartoon on foreign affairs- you'd think Mike
Peters ought to be more self confident, a bit less driven.
Those who know him best understand why he can't relax. He's having
too much fun. Life is a great adventure and he's going for it.
Seemingly, it's always been that way, from the day the legendary
Bill Mauldin put in a good word for Peters at the Dayton Daily
News. That was exactly a quarter of a century ago.
Peters started out having fun, and he hasn't stopped. It's hard
to sort out the fact from fiction about Mike Peters.
There's the time, for example, when the August editrial board
of the Dayton Daily News assembled in the third floor library of
the founder of the paper, Gov. James M. Cox, to weigh the issues
of the day.
Peters, a member of a select inner circle of the newspaper's think
tank, was not present, so the meeting began without him.
A few minutes later, an editor remarked, "Well, this ought
to be a good issue for Peters," at which point, the curtains
over the street window parted and Peters came bounding in from
the chilly third-floor window ledge, clad in his favorite Superman
leotard.
"Sorry I'm late," he proclaimed. "The weather was
bad over Cleveland."
(Excerpt taken from the Max Jennings' Introduction to "On
The Edge", a look at Mike's 25 years of cartooning at the
Dayton Daily News)
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